Alain Guiraudie’s latest film, Misericordia, opens with a poetic camera glide through the autumnal hills of the Cévennes National Park. From this establishing shot, the director gradually unveils the story of young Jérémie (Félix Kysyl), who returns to his hometown after the death of his old friend Jean-Pierre, the village baker. In the village’s melancholic atmosphere, Jérémie is welcomed by Jean-Pierre’s widow, Martine (Catherine Frot), who suggests he take over her late husband’s bakery. As Jérémie settles into rural life, however, what seems like a simple drama quickly turns into a complex thriller full of intrigue and misunderstandings. Martine’s troubled son, Vincent (Jean-Baptiste Durand), views Jérémie as a threat to his mother, though he himself harbors feelings for the overweight recluse Walter (David Ayala), further intensifying the tension. Alain Guiraudie is often regarded as the Alfred Hitchcock of queer cinema, and in his latest work, he once again portrays a fascinating community where human desires and insecurities collide. Repressed sexuality and longing emerge in moments of suspense that have defined Guiraudie’s previous films, like Stranger by the Lake. Blending quirky humor with philosophical depth, Misericordia not only reflects the personal struggles of its characters but also delves into universal questions of identity and belonging. It’s a remarkable film that cements Guiraudie’s place among the leading auteur filmmakers.